The mausoleum of Vladimir Ilyich Lenin is a unique architectural object, a monument of the Russian avant-garde. For many years the mausoleum was one of the symbols of the Soviet state and is now considered a classic of Soviet architecture. Also, the building is a UNESCO monument as part of the Red Square ensemble.
History of the building
The mausoleum is the oldest type of monumental structure among all peoples and in all countries. These are the tombs of kings and other tribal nobility, as well as the burial mounds of nomadic peoples, and so on. All of them, for example, pyramids ancient egypt or the mausoleum of Augustus in Rome, rebuilt in the Middle Ages into the castle of the Holy Angel, are supermassive structures. The main difference of the Lenin Mausoleum is that it is not a gigantic structure designed to overshadow the Kremlin and clutter up Red Square, but a relatively small object, tactfully inscribed in the architectural context. Perhaps no analogue can be found - all others, such as the Dimitrov mausoleum in Sofia, the Kim Il Sung mausoleum in Pyongyang, the Pantheon in Paris, the Taj Mahal or even the Cathedral of Christ the Savior, conceived as a cenotaph of the participants in the war of 1812, dominate those squares where they are located. The modern design of the monument to Prince Vladimir continues this tradition of dominance, which was objected to by cultural figures not only in our country, but also abroad.
Mausoleum on Red Square
It was natural for the Bolsheviks to place all the objects promoting Soviet power on Red Square, near the walls of the Kremlin. Beginning in 1917-1918, revolutionaries and politicians were buried near the Kremlin wall, but their graves were not expressive. Only the memorial plaque-bas-relief of the sculptor Konenkov "To those who fell in the struggle for peace and the brotherhood of peoples" was of impressive size - it was installed on the Senate Tower of the Kremlin in 1918. The memorial plaque was dismantled after the construction of the mausoleum, and now it is kept in the museum-workshop of the sculptor.
The leader of the world proletariat died on January 21, 1924, and his associates decided to save the body for posterity. For this, the mausoleum was chosen as the most adequate architectural form. The Lenin Mausoleum was supposed to differ from ordinary burials on the square and be more capital and representative - over the nearby graves, guest concrete stands were subsequently created and blue spruces were planted.
Architectural projects
Alexey Viktorovich Shchusev was the head of the Architectural Workshop of the Moscow City Council at the time of the construction of the mausoleum. The architect Zholtovsky, his colleague, stepped down from the leadership of the workshop, although at first he and Shchusev occupied equal positions. Shchusev also led the design of the first Soviet master plan "New Moscow" (1918-1923), built the Kazan railway station - its construction was the largest in the city. Shchusev's name was widely known. Alexei Viktorovich was a prominent figure in the Moscow Architectural Society - an organization not of an ideological nature, but of a purely professional one.
Therefore, in the announced competition for the creation of the mausoleum project, the government commission gave preference to Shchusev, although other well-known architects also applied, and even amateur projects were encountered.
It is noteworthy that at one time architectural historians broke spears on the topic of the direct authorship of Lenin's Mausoleum. Since many young and talented employees worked in Shchusev's workshop (almost all Moscow architects started their journey from this workshop, like Konstantin Melnikov, for example), one of the sketches by I. A. Frenchman turned out to be more similar to the final version of this project than others . Architectural historian Selim Khan-Magomedov wrote about this, which caused a scandal in the professional environment. Of course, Shchusev's project is original, there is no doubt about it - today the original Shchusev sketches of the mausoleum have become available, from which it is clear how numerous his options were, and much more similar to European counterparts.
Initially, Shchusev completed the project of a temporary mausoleum - three and a half days were allotted for all the preparatory work, and it was a simple wooden cube. Shchusev himself writes about the internal structure of the building: “The layout of the mausoleum was calculated by me in such a way as to create a traffic schedule that ensures the continuous passage of significant masses of visitors. Entering, visitors descended the stairs leading to the central hall with the coffin of Vladimir Ilyich, and, bypassing it, climbed another staircase leading to the exit. The hall was decorated with fabric according to the drawings of the artist I. I. Nivinsky. The hall was decorated with fabric with black stripes; on the ceiling, the fabric was gathered in folds towards the center, where there was an image of a sickle and a hammer.
In May 1924, the mausoleum was rebuilt into a solid wooden structure made of oak with metal fasteners. It was arranged the way the architect described it. The brother of the architect, Pavel Shchusev, spoke about the external details of the second mausoleum: “In search of the necessary form, he used monumental types of ancient doors, nailed with nails, caskets, and ancient models of buildings.” To protect the mausoleum from rain and snow, the walls were covered with copper-brown oil varnish, and the roof was covered with sheet copper.
Interior and outside view
The third version of the structure was gradually formed in Shchusev's sketches. This is a capital building - a low stepped volume. The exterior finish is monumental - polished red granite with strict black lines of gabbro and labradorite. According to the directives of the authorities, the mausoleum was to be built exclusively from Soviet materials: red granite was mined in Ukraine, red porphyry - in Karelia. Unlike brutal buildings made of reinforced concrete, frankly displayed on the facades, this is a decorative and elegant structure. For all that, it is devoid of retrospective details.
The interior is distinguished by strict, large forms of geometric decor. It is noteworthy that Lenin's coffin was placed in a special, triangular glass sarcophagus. It was completed by another famous architect, Konstantin Melnikov, who created a unique sarcophagus in the form of a crystal (after the war, this sarcophagus was replaced by another one).
Having no literal analogues, the mausoleum is stylistically similar to the works of Art Deco that was developing in Europe at that time. The term itself arose only in 1966 - first in relation to the Paris exhibition of 1925, where Robert Malle-Stevens, Le Corbusier and Konstantin Melnikov were the stars, and is still selectively applied to domestic architecture when talking about the first metro lines, exhibition pavilions etc. But if you look at the mausoleum, then there are features of European art deco: large squares of black and red stone on the outside, a conditional frieze ornament with red banners on a black background inside.
The mausoleum is not quite symmetrical, which makes it picturesque despite the severity of proportions. Shchusev's sketch of an even more asymmetrical form has been preserved - the master liked to use asymmetry in his compositions. In numerous sketches, there is even a variant with a columbarium or the motif of a five-pointed star, which is also characteristic of the Art Deco style, is played up.
Often the shape of the mausoleum is associated with the Assyro-Babylonian ziggurats, arguing this with the stepped composition of the mausoleum. But ziggurats were towers that had a higher pyramidal silhouette. In this case, the Lenin Mausoleum is more like the pyramid of Djoser in Egypt - it is also multi-stage. The idea of comparing the Shchusev mausoleum with ziggurats is untenable, but, unfortunately, popular, although the master made a peculiar form suitable only for a building of this scale. The details of the mausoleum are large, which emphasize its compactness, not grandiosity.
Ideology of the place
In addition to ritual and memorial functions, the mausoleum also performed ideological tasks. The monumental buildings were supposed to contribute to propaganda: by the third option, a tribune appeared in the project, on which statesmen received parades. Shchusev envisioned a greater number of interior spaces of the mausoleum, but the final project included only the vestibule and the funeral hall with a sarcophagus.
Slavic philologist Moymir Grygar wrote about the connection with religious ideas that are characteristic of all civilizations. Back in the 1970s, he compared the attitudes towards religion of Malevich and Shchusev, two pillars of the Russian avant-garde. Shchusev before the revolution served as the architect of the Holy Synod and was a believer.
The meaning of Grygar's article on the mausoleum is that the Bolsheviks needed to replace the traditional religion with a new, communist one - for this, the cult of Lenin was suitable, which later transformed into a Stalinist cult (Stalin, after his death, by the way, was also embalmed and spent a long time in in the mausoleum).
Of course, in a formally plastic sense, the Lenin Mausoleum is not like temples. This is an innovative composition in the spirit of the achievements of the avant-garde, which Shchusev knew well, as well as history. Moreover, in the new style, he worked successfully (for example, his other project is the building of the People's Commissariat of Agriculture). But Shchusev also designed many temples, and brilliantly.
The memorial character of the building and Lenin's sarcophagus itself refer us to religious forms. This is an Orthodox and general Christian tradition of worshiping relics, enclosing them in sarcophagi and shrines. In a sense, the mummies of the pharaohs are also relics. Therefore, with all the architectural innovation, the history of the Lenin Mausoleum goes back centuries.
There is an opinion that the Bolsheviks were a sect that practiced mysterious occult rites aimed at suppressing the will of people and seizing power.
What could the Bolsheviks use to achieve their goals? It is likely that Lenin's Mausoleum was used as a psychotropic weapon.
It may be difficult for people born and raised in the USSR to understand this information objectively, but the facts remain facts.
Lenin's Mausoleum - Ziggurat of the "Throne of Satan"
One of the main sacred symbols of communism is the Lenin Mausoleum. Outwardly, the Mausoleum was built on the principle of the ancient Babylonian temples, of which the most famous is the Tower of Babel, mentioned in the Bible. In the book of the prophet Daniel, written in the 7th century BC, it says: "The Babylonians had an idol named Bel." Is not it, weird coincidence with the initials V.I. Lenin?
The mausoleum is an exact copy of the temple of Huitzilopochtli, the main god of the Aztecs, located on top of the Pyramid of the Moon in Teotihuacan. Huitzilopochtli, according to legend, once promised the Aztecs that he would lead them to a "blessed" place where they would become his chosen people. This happened under the leader Tenoch: the Aztecs came to Teotiukan, slaughtered the Toltecs who lived there, and on top of one of the pyramids erected by the Toltecs they built the temple of Huitzilopochtli, where they thanked their tribal god with human sacrifices.
Where did the Mausoleum project come from?
The first Mausoleum, knocked together in a week according to the project of the architect A. V. Shchusev, who had never built anything like this, was a truncated stepped pyramid, to which L-shaped extensions with stairs adjoined on both sides. Visitors descended the right staircase, went around the sarcophagus on three sides and exited along the left staircase. Two months later, the temporary mausoleum was closed, and the construction of a new wooden mausoleum began, which lasted from March to August 1924.
Of the many proposed projects for the new Mausoleum, not one passed. The preference was again given to Shchusev's ziggurat. The second Mausoleum was a larger (height 9, length 18 meters) truncated stepped pyramid, the stairs were now included in the total volume of the building. The project of the sarcophagus for the body was developed by the architect K. S. Melnikov.
The third Mausoleum, which was opened in October 1930 and still stands today, was designed by the same architect Shchusev. As the architect himself said, he was instructed to accurately reproduce the shape of the wooden Mausoleum in stone. But how did Shchusev know how to build a ziggurat? Maybe someone helped him? It is known that Shchusev was consulted by a specialist in the cultures of Mesopotamia F. Poulsen.
It is believed that the architect Shchusev took the Pergamon altar, or, as it is also called, the "Throne of Satan", as the basis for the design of this tombstone. Mention of him is found already in the Gospel, where Christ, referring to a man from Pergamum, said the following: "... you live where the throne of Satan" (Rev.2,13).
Plan of the Mausoleum: let's pay attention to the cut corner.
For a long time, the "Pergamum Altar" was known mainly from legends - there was no image. When images of the so-called "Pergamum Altar" were found, it turned out that this was an exact copy of the temple for Huitzilopochtli.
The consultant, who "helped" Shchusev build the ziggurat, knew very well how the building needed by the customer should look like without any excavation of clay tablets. Where does such knowledge come from?
The Bolshevik Party at the construction of the Mausoleum was represented by Minister of Defense Voroshilov. Why not the Minister of Finance or Agriculture? It is clear that such a boss only covered the real leaders. The decision to embalm the leader was made by Felix Dzerzhinsky, the all-powerful leader of the political police. In general, it was the department of political control and investigation, and not the architectural department, that led the construction process.
Lenin's mummy - a magical teraphim?
From the point of view of Mesopotamian mysticism, Lenin's body looks like a teraph - a cult object, specially conserved and used for occult purposes. And the tomb itself for the body is clearly not a place that provides peace.
The Babylonian Chaldeans practiced the so-called "creation of a teraph" - a magical artifact designed to give its owner power over his subjects. The technology of creating teraphs, of course, is shrouded in mystery. But it is known that the teraphim of Vila (the main god of the Babylonians, for communication with whom the tower was built) was a specially processed head of a red-haired man, sealed in a crystal dome. From time to time other heads were added to it.
Head of a teraph
By analogy with the manufacture of teraphim in other cults (Vudu and some religions of the Middle East), inside the embalmed head (in the mouth or instead of the removed brain), a gold plate was most likely placed, most likely in the shape of a rhombus, with magical ritual signs.
It contains all the power of the teraphim, allowing its owner to interact with any metal on which certain signs or the image of the entire teraphim were drawn in one way or another. The will of the owner of the teraph seemed to flow through the metal into the person who was in contact with him: under pain of death, forcing his subjects to wear “diamonds” around their necks, the king of Babylon to one degree or another could control their owners.
The following facts speak in favor of this theory:
there is at least a cavity in the mummy's head - for some reason the brain is still kept at the Brain Institute;
the head is covered with a special glass surface;
the head lies in the lowest tier of the ziggurat, although it would be more logical to put it somewhere upstairs. The basement in all places of worship is always used for contact with the beings of the Hell worlds;
the mummy's hands are folded in a certain way: the left is stretched forward, as if receiving energy, the right is clenched into a fist;
images of the head (busts) were replicated throughout the USSR, including pioneer badges, where the head was placed in a fire, that is, captured during the classical magical procedure of communicating with the demons of Hell;
instead of shoulder straps, for some reason, "diamonds" were introduced in the USSR, which were later changed to "asterisks" - the same ones that burn on the Kremlin towers and which were used by the Babylonians in cult ceremonies of communication with Wil. Similar to rhombuses and stars, "decorations" imitating a gold plate inside the head under the tower were also worn in Babylon - they are found in abundance during excavations;
In addition, in the magical practices of Voodoo and some religions of the Middle East, the process of "creating a teraphim" is accompanied by a ritual murder - the life force of the victim had to flow into the teraphim. In some rituals, body parts of the victim are also used, for example, the head of the victim is immured under a glass sarcophagus with a teraphim.
We cannot say that something is also immured under the head of the mummy in the ziggurat on Red Square, however, there is evidence that this fact takes place: the heads of the ritually murdered king and queen lie in the ziggurat, as well as the heads of two more unknown people killed in the summer of 1991 - the time of the "transfer" of power from the communists to the "democrats" (thus, the teraphim were, as it were, "updated", strengthened).
The Kremlin Wall itself has also been turned into a grandiose tomb. An ancient ritual related to the Magic of Mortal Power is that people, often alive, were immured into the wall to strengthen the castle or fortress. Such a fortress was not destroyed and the enemy could not take it, because the souls of the dead guarded the fortress.
If you look at the scheme of the Kremlin, you can clearly see that the building of the Council of Ministers of the USSR is surrounded on almost all sides by graveyards: the cemetery near the Kremlin wall and the Mausoleum, the burial of the kings in the Archangel Cathedral, the tomb of the Patriarchs in the Assumption Cathedral and the tomb of the Unknown Soldier.
1 - Mausoleum, 22 - Assumption Cathedral, 25 - Archangel Cathedral, 36 - Council of Ministers, 40 - Tomb of the Unknown Soldier
There are 71 urns with ashes on the left side, and 44 urns with ashes on the right side. The strongest souls of Russia, not only politicians and military men, but also scientists and writers: Maxim Gorky, Igor Vasilyevich Kurchatov, Sergei Pavlovich Korolev, Georgy Konstantinovich Zhukov, Felix Edmundovich Dzerzhinsky and others. Buried at the Kremlin Wall:
There are also several mass graves of the fighters of the revolution. The total number of buried according to various sources is from 400 to 1000 people.
How is the Mausoleum arranged and how does it work?
Thousands of works have been written, leaving no doubt about the special impact of this structure. It is clear and where the technique was borrowed from - from Ancient Mesopotamia and Babylonia. The mausoleum is an exact copy of the ziggurats of Mesopotamia, with a room at the top, framed by columns, in which, according to the concepts of the priests of Babylon, their demonic patrons rested. Moreover, the marble for the Mausoleum was brought from Mesopotamia (modern Iraq).
It is likely that the Mausoleum is nothing more than a psychotropic weapon, a system of mass suppression of consciousness. But how does a ziggurat "work"? What are the consequences of its influence? Let's try to guess what principles are laid down in his work.
Structurally, the building is made on the basis of a reinforced concrete frame with brick filling of the walls, which are lined with polished stone. The length of the mausoleum along the facade is 24 meters, the height is 12 meters. The upper portico is shifted to the Kremlin wall. The pyramid of the mausoleum consists of five ledges of different heights.
The underground part of the temple descends into Red Square to the depth of a 6-storey building. Under the podium of the temple, a conference and recreation hall for the Bolshevik rulers was arranged. There is a buffet with dishes and good wines, a billiard room and a security room.
For the functioning of laboratories and manipulations with the corpse, a freight elevator is provided, on which the mummy is lowered to the desired floor for routine, preventive and cosmetic work, then it is delivered to the working mark.
If the Mausoleum is taken out of the ground and placed on its surface, its height will be with a 10-storey building
The visitor enters the Mausoleum through the main entrance and descends the left three-meter-wide staircase to the funeral hall. The hall is made in the form of a cube (side length 10 meters) with a stepped ceiling. Visitors go around the sarcophagus from three sides along a low podium, leave the mourning hall, climb the right stairs and exit the mausoleum through the door in the right wall.
Let's pay attention: the ceiling of the Mausoleum is also stepped, like the outer pyramid. This is a circuit within a circuit, operating like a power-up transformer. Modern devices have shown that internal corners draw in informational energy from outer space, while outer corners radiate it. That is, the ceiling of the tomb absorbs energy, and the uppermost superstructure radiates (there are several tens of short outer corners-ribs).
This device needs energy to operate. It is taken either from the ground at the point of intersection of the lines of the Hartman grid, or from an external source - people. The location of the Mausoleum on Red Square, literally saturated with ancient forces, and the passage of a huge mass of people as visitors to the Mausoleum, as well as at demonstrations, provides an enormous flow of energy. In 1924-1989, the mausoleum was visited by over 100 million people (not counting participants in parades and demonstrations) from all over the USSR. This energy is modulated by the mummy in the Mausoleum, and radiates from the cracks above.
Naturally, a ziggurat does not transmit radio waves like an antenna. But physicists have proven that radio waves, sound waves and waves in a liquid have much in common, They have one basis - a wave. Therefore, the principles of operation of all wave devices are the same, whether they are waves of sound, light, or waves of some incomprehensible radiation, which today, for convenience, is called energy-informational.
Looking at the map in satellite mode, you can see the contours of the electrical contacts of the resonators. On both sides of the Mausoleum there are 2 lines-vibrators of a simple dipole. It can also be assumed that these vibrators irradiate a triangular building, whose top is directed strictly to the east. It is easy to see that on the right side of the Mausoleum is GUM with a large number of people.
With a close look at the GUM, it is easy to see that it resembles a 3-element wave channel, where the row farthest from the Mausoleum is a reflector, the middle vibrator and the closest one is the director, directing energy to the Mausoleum. The farthest row has nothing to do with the first two.
But the weirdness doesn't end there. There is also "another corner" in the Mausoleum. In fact, this is not even a corner, but three corners: two internal, drawing in energy like a bowl, and the third - external. It divides the notch in half, heading outward like a thorn. Such an angle is clearly visible on the plan of the Throne of Satan.
This is more than an original architectural detail, and the detail is absolutely asymmetrical - it is one, such a triple angle. And it is aimed at the crowds marching towards the Mausoleum. Such strange triple angles are called psychotropic devices today.
The principle is simple: an inner corner (for example, the corner of a room) draws in some hypothetical informational energy, while an outer corner (for example, the corner of a table) radiates. What kind of energy we are talking about - we can not say. No one can, physical devices do not register it yet.
But organic tissue is more than sensitive to such energy, and not only organic tissue. Everyone knows the ancient as the world reception to put in a corner a child who is too active. Why? Because the corner takes away excess energy if you stay there for a short time.
Pyramid effects are also known - non-rotting, mummifying meat, self-sharpening blades ... And the pyramids are the same angles. The same angles are used in psychotropic devices, only there is also an operator - a person who controls the process and increases the power of the device many times over.
We do not know exactly how this mechanism works. Perhaps the Chaldean Bolsheviks did not know this either. But they were practitioners, and could just use secret knowledge how you can use radio and television without understanding the physics of the process.
By the way, the question is: where did Comrade Stalin stand at military parades? That's right - he stood just above that very corner with a spike, welcoming crowds of citizens approaching the ziggurat. He was the operator. The process, apparently, was so important that at the top there was an idea to demolish not only St. Basil's Cathedral, but also all the buildings within a radius of a kilometer, so that the square could accommodate a million people marching in formation. For what?
In the period 1941-1946 the Mausoleum was empty. The body was taken from the capital to Tyumen already at the beginning of the war, and the troops marching in front of the Mausoleum on November 7, 1941, before the battles for Moscow, passed by an empty ziggurat.
Lenin was not there! And he was not in the Mausoleum until 1948, which is more than strange: the Germans were thrown back already in 1942, and the body was returned only after the war.
Perhaps Stalin or other Chaldeans, figuratively speaking, took out the "rod from the reactor." That is, by removing the teraphim, they suspended the work of the Machine. During these years, they really needed Russian will and solidarity. As soon as the war ended, the "reactor" was restarted, returning the teraph, and the victorious people wilted and went out. This change then very surprised many contemporaries, which is captured in many memoirs and works of art.
People who know what magic is can clearly see the occult, mystical meaning of the building on Red Square. The townsfolk, of course, do not believe in such mysticism on a national scale. But not so long ago, electricity and television could also seem like magic, but now it is a reality. Many moments related to the ziggurat on Red Square have also become a reality: recent events clearly show how this works in practice.
Blood Square. It has a ziggurat on it.
It's done. I'm close. Well, I'm glad.
I descend into a fetid, terrible mouth.
It is easy to fall on slippery steps.
Here is the stinking heart of ancient evil,
Bodies and souls are devoured to ashes.
A hundred-year-old beast built its nest here.
For demons in Russia, the door is wide open here.
Nikolai Fedorov
Why does the Mausoleum wear out?
Now consider the next interesting point - the wear of the Mausoleum. What is wear, the analogy with the engine shows: if the engine is running, it wears out, it needs new spare parts, but if the engine is standing, it can stand forever and nothing will happen to it.
There are no moving parts in the Mausoleum, of course, but there are also non-moving devices that wear out - batteries, accumulators, gun barrels, carpets and pavement, some internal organs (let's say the heart moves, but the liver does not, but it still wears out). That is, everything that works, sooner or later develops its resource and requires repair.
And now we read Mr. Shchusev, the architect of the Mausoleum, in Stroitelnaya Gazeta No. 11 of January 21, 1940:
"It was decided to build this third version of the Mausoleum from red, gray and black Labradorite, with a top slab of Karelian red porphyry, mounted on columns of various granite rocks. The frame of the Mausoleum was built of reinforced concrete with brick filling and lined with natural granite rocks. To avoid shaking the mausoleum when heavy tanks pass during the parades on Red Square, the foundation pit, in which the reinforced concrete foundation slab is installed, and the reinforced concrete frame of the mausoleum are covered with clean sand.
Thus, the building of the mausoleum is protected from the transmission of ground shaking... The mausoleum is designed for many centuries"...
Nevertheless, although it was built to last for centuries, already in 1944 the Mausoleum had to be thoroughly repaired. Another 30 years passed, and it suddenly became clear to someone that it needed to be repaired again - in 1974 it was decided to carry out a large-scale reconstruction of the tomb. It is even incomprehensible somehow: what does "it became clear" mean? The mausoleum is made of reinforced concrete. That is, iron, sheltered from the atmosphere by concrete - stone. What to repair, how could it wear out? But no, someone knew that it was not intact, that repairs were needed.
Let us turn to the memoirs of one of the leaders of the reconstruction, Joseph Rhodes: "The project for the reconstruction of the Mausoleum provided for the complete dismantling of the cladding, the replacement of about 30% of granite blocks, the strengthening of the structure of the publication, the complete replacement of insulation and insulation with modern materials, as well as the device of a continuous shell made of special lead.
We were given 165 days to complete the entire work, which cost more than 10 million rubles… Having dismantled the granite lining of the Mausoleum, we were amazed by what we saw: the metal of the frame rusted, brick and concrete walls were destroyed in places, and the insulation turned into a soaked slurry that had to be scooped out. The cleaned structures were reinforced, covered with the latest insulating and warming materials. A reinforced concrete vault-shell was made over the entire structure, which was covered with a solid zinc shell ... In addition, in reality, 12,000 facing blocks had to be replaced.”
It rotted that which could not rot in principle - glass wool and metal. And most importantly, someone knew about the processes taking place inside the ziggurat, and in time gave the command to repair it. Someone knew that the ziggurat was not a miracle of Soviet architecture, but a device, and a very complex device. And he's probably not the only one...
Strange knowledge, strange customers, a strange place for construction, strange and terrible events in the country after the completion of construction - famine, and not alone, war, and not alone, the Gulag - a whole network of places where millions of people were tortured, as if draining their vital energy . And the ziggurat on Red Square, apparently, became the accumulator of this energy.
What is this energy and why is it needed? Most likely for power over the whole world and turning it into one colossal concentration camp, generating flows of dark energy. According to Marx, communism looks like a continuous concentration camp: no property, everything in common, people can not only act freely, but also think.
Mystic? Maybe. But the fact remains that in the center of the capital of Russia there is a ziggurat, an exact copy of two ancient temples where bloody rites were performed, and inside this building in a glass coffin lies a mummy made by atheists, personifying the mystical cult of communism.
It is strange that the citizens of Orthodox Russia still cherish the symbols of Satanism. Why are the people silent? Is it because the power of the necromancer sect has not disappeared, but simply hid for a while to try to take revenge again?
My most fervent desire is revenge
who reigns in heaven.
Karl Marx
Who started the ziggurat again?
Thus, one can come to the conclusion that the secret mechanisms of governing Russia, used by its current rulers, are based on real necromancy itself. They are entirely based on occult magical knowledge and secret rituals, older than the current chronology.
To this day, there is not a Mausoleum on Red Square, but a specially tuned mechanism that affects the consciousness, will and life of the Russian people. And inside still lies a mummy. It is still a secure facility funded by the state. Nothing changed.
If the ancients successfully used this psychotropic technique, and then the Bolsheviks, then why can't it be used now? Who launched the ziggurat again and began to zombify an entire nation?
It can be assumed that the knowledge lost in some period was rediscovered by one of the communist Chaldeans, and a new attempt at revenge was made. This version may look incredible, but there is no other explanation for the mass irrational behavior of people yet.
Lenin is not only a mushroom!
H I stumbled across the net on the zaKhadochny material about the long-suffering mausoleum of Ilyich.
I could not get past this burning idea, I bring with changes and additions how the mausoleum and Ilyich emit rays and zombie us all (with pictures). I will tell you about the construction of each mausoleum and at the same time I would like to know your opinion, is it time to take it to the churchyard? Maybe a significant event is cherished for the centenary of his death, but also the centenary of the revolution, including a significant date ...
One of the main sacred symbols of communism is the Lenin Mausoleum. Externally, the Mausoleum was built on the principle of the ancient Babylonian temples, of which the most famous is the Tower of Babel, mentioned in the Bible. In the book of the prophet Daniel, written in the 7th century BC, it says: "The Babylonians had an idol named Bel." Isn't it a strange coincidence with the initials of V.I. Lenin?
I'll start with the history and construction of mavolei. As you know, they decided not to bury Lenin due to the large flow of people wishing to say goodbye to him. The flow of forgivers has not stopped even today. Specially drove one son and then the second to watch Ilyich. The elder said: "Hurrah! Let's go see Lenin alive!" The younger took the view calmly. When asked about his impressions (after the exit), he answered: "He is somehow unshaven at all" ...))) and then they also joked, they say, "I saw your Lenin in the coffin." Can not argue with that.
The first tomb of the leader, knocked together in a week according to the project of the architect A.V. Shchusev, was wooden, unsightly and had the shape of a cube with a superstructure in the form of steps, to which L-shaped annexes with stairs adjoined on both sides.
Visitors descended the right staircase, went around the sarcophagus on three sides and exited along the left staircase. Two months later, the temporary mausoleum was closed and the authorities thought about a new, more sane mausoleum, corresponding to Velikyna's personality. A competition was announced, which in itself is worthy of a separate big post.
I will give only some pictures from the general abundance of folk art (many pictures are clickable).
The preference was again given to the Shchusev ziggurat. The construction of a new wooden Mausoleum lasted from March to August 1924.
The second Mausoleum was a larger (height 9, length 18 meters) truncated stepped pyramid, the stairs were now included in the total volume of the building.
There are also two-headed eagles on the Kremlin towers.
But I wanted something more durable. Or rather, eternal! Like the Egyptian pyramids.
And then they began to build the third Mausoleum, which was opened in October 1930 and stands to this day.
Designed by the same architect Shchusev. As the architect himself said, he was instructed to accurately reproduce the shape of the wooden Mausoleum in stone.
In the period 1941-1946 the Mausoleum was empty. The body was taken from the capital to Tyumen already at the beginning of the war, and the troops marching in front of the Mausoleum on November 7, 1941, before the battles for Moscow, passed by an empty ziggurat.
Now it's time INTRIGUE AND INVESTIGATION!
Blood Square. It has a ziggurat on it.
It's done. I'm close. Well, I'm glad.
I descend into a fetid, terrible mouth.
It is easy to fall on slippery steps.
Here is the stinking heart of ancient evil,
Bodies and souls are devoured to ashes.
A hundred-year-old beast built its nest here.
For demons in Russia, the door is wide open here.
Nikolai Fedorov
According to some reports, if the Mausoleum is taken out of the ground and placed on its surface, its height will allegedly be as high as a 10-story building. The length of the mausoleum along the facade is 24 meters, the height is 12 meters. The upper portico is shifted to the Kremlin wall. The pyramid of the mausoleum consists of five ledges of different heights.
The underground part of the temple descends into Red Square to the depth of a 6-storey building. Under the podium of the temple, a conference and recreation hall for the Bolshevik rulers was arranged. There is a buffet with dishes and good wines, a billiard room and a security room.
For the functioning of laboratories and manipulations with the corpse, a freight elevator is provided, on which the mummy is lowered to the desired floor for routine, preventive and cosmetic work, then it is delivered to the working mark.
- the total height is 36 meters, of which 12 m is the height of the Mausoleum and 24 m is the height of the laboratory complex
- edge angle 45 degrees
- rib angle 35 degrees
- sole - rectangle with dimensions 72 x 72 m
- estimated base diagonal 102 m
For a long time, the "Pergamon Altar" was known mainly from legends, there was no image. When images of the so-called "Pergamum Altar" were found, it turned out that this was an exact copy of the temple for Huitzilopochtli and it looked like a mausoleum. It also has one small but important feature! A strange cut corner on one side of the mausoleum (it's only on one side). Let's call it "Strange Corner" and we'll come back to it))
The mausoleum is an exact copy of the ziggurats of Mesopotamia, with a room at the top, framed by columns, in which, according to the concepts of the priests of Babylon, their demonic patrons rested. Moreover, the marble for the Mausoleum was brought from Mesopotamia (modern Iraq).
SO... there is an idiotic opinion that the Mausoleum is nothing but a psychotropic weapon, a system of mass suppression of consciousness!
The Kremlin Wall itself has also been turned into a grandiose tomb. An ancient ritual related to the Magic of Mortal Power is that people, often alive, were immured into the wall to strengthen the castle or fortress. Such a fortress was not destroyed and the enemy could not take it, because the souls of the dead guarded the fortress. The total number of people buried in the Kremlin wall, according to various sources, is from 400 to 1000 people.
The project of the sarcophagus for the body was developed by the architect K. S. Melnikov.
Now the main and anti-scientific!
Modern devices have shown that the inner corners of the mausoleum draw in informational energy from the outer space, while the outer corners radiate it. That is, the ceiling of the tomb absorbs energy, and the uppermost superstructure radiates (there are several tens of short outer corners-ribs).
This device needs energy to operate. It is taken either from the ground at the point of intersection of the lines of the Hartman grid, or from an external source - people. The location of the Mausoleum on Red Square, literally saturated with ancient forces, and the passage of a huge mass of people as visitors to the Mausoleum, as well as at demonstrations, provides an enormous flow of energy. In 1924-1989, the mausoleum was visited by over 100 million people (not counting participants in parades and demonstrations) from all over the USSR. This energy is modulated by the mummy in the Mausoleum, and radiates from the cracks above.
To release energy, a "strange angle" is also needed, which is shown above. In fact, this is not even a corner, but three corners: two internal, drawing in energy like a bowl, and the third is external. It divides the notch in half, heading outward like a thorn. Such an angle is clearly visible on the plan of the Throne of Satan. It is aimed at the crowds marching towards the Mausoleum. Such strange triple angles are called psychotropic devices today. Various pyramid effects are also known - non-rotting, mummifying meat, self-sharpening blades (I imagined Ilyich with a knife in his hand) ...
More about symbols and sacredness...
This is an art project by artists Y. Shabelnikov and Y. Fesenko, carried out in March 1998 in the Moscow Gallery of Naive Art "Dar". They ate Lenin...
The author stated: "Given the possible public reaction, I consulted with the chief editors of two newspapers, with art critics, with philosophers, with two priests. They reassured me and saw nothing wrong from their point of view. Philosophers and art historians spoke about some of the customs of other peoples: in Mexico, for example, there is a Day of the Dead holiday. There was even a large exhibition, organized by the Mexican Embassy, for the Day of the Dead, where images of relatives were baked from dough and then eaten, which symbolized a long life in the memory of loved ones. We were very surprised by the resonance this action caused. Moreover, the journalists, who are over 50, took the action critically, wrote: “they ate Lenin with fat fingers” - in the Soviet style ... ”
Now, even before parades, the Mausoleum is closed. Probably embarrassed? But why be ashamed? The mausoleum stands there perfectly, as a tribute to our history, when we destroyed ourselves.
Infa (C) Ineta including photos. Basic
IMHO to bury such a unique exhibit is a sin! The Chinese stick to it better than Disneyland! This is genius! One small concrete box, and the flow is incredible. It is only necessary to take a fee for viewing ... Why on earth Lenin is supported at the expense of the budget and it costs a lot. Let the communists pay since he is so dear to them. And the Chinese would be delighted with a plastic doll that would stand up on a bed, shout Lenin's slogans, pointing to a brighter future, and again peacefully cross its arms on its stomach... What do you think?
Funeral structures, which appeared as early as the 4th century BC, became widespread in different parts of the world. Mausoleums are still popular today, standing out in cemeteries for their impressive size and shape.
10. Mahabat Maqbara, India
Along a busy road in downtown Junagadh, you can see one of India's little-known, but nonetheless stunning, architectural structures. A superb blend of Gothic and Islamic ornamentation, the Mahabat Maqbara complex remains one of India's best-preserved mysteries.
This striking building is the mausoleum of the vizier Bahaduddinbhai Hasainbhai (Bahaduddinbhai Hasainbhai), one of the main aristocrats at the court of Nawab Mahabat Khan II Junagadh. The yellow-walled complex was begun in 1878 by Mahabat Khanji and completed in 1892 by his successor Bahadur Khanji.
Decades of work culminated in intricately carved interior and exterior façades, beautiful arches, French-style windows, columns and magnificent silver doorways. At the neighboring mosque, each minaret is surrounded by spiral staircases from top to bottom. Both buildings are crowned with characteristic "bulb" roofs.
9. Lenin Mausoleum, Russia
The Lenin Mausoleum, located on Red Square in the center of Moscow, currently serves as the resting place of Vladimir Lenin. The body of the leader of the revolution has been on public display almost since the day of his death in 1924, with rare exceptions during the war period.
Two days after Lenin's death, architect Alexei Shchusev was commissioned to build a structure adapted so that visitors could see his body. A wooden mausoleum was built on Red Square near the Kremlin wall, and the coffin with Lenin's body was placed inside until the pathologist Alexei Ivanovich Abrikosov determined that the body could be preserved for a longer period. In 1930, Lenin's body was placed in a new mausoleum made of marble, porphyry, granite and labradorite.
8. Taj Mahal, India
The Mughal Emperor Shah Jahan built the Taj Mahal in Agra, India, in memory of his beloved wife, who died in childbirth in 1631. The white marble monument with shady gardens took more than 15 years to build. It is widely considered to be one of the finest structures ever created.
7. Mausoleum of Rufina Cambaceres Mausoleum, Argentina
A young Argentine woman fell into a coma in 1902 and was pronounced dead at the age of 19. A few days after the girl's funeral, workers heard screams coming from her grave. When the grave was opened, Rufina was indeed dead, however, there were scratches on her face and walls of the coffin, probably left in an attempt to get out.
Later, her mother built a grandiose Art Nouveau mausoleum with sculpted orchids. Although the story of the girl's tragic death has never been confirmed, she won the hearts of thousands of visitors, and Rufina herself became forever known as "the woman who died twice."
6. Mausoleum of William Mackenzie (William MacKenzie), England
The 4.5-meter pyramidal tomb of British civil engineer and planner William Mackenzie lends an unusual appearance to the churchyard of St Andrew's Church on Rodney Street in Liverpool.
The mausoleum is located in an area considered one of the most visited in Liverpool. A startlingly implausible local legend has it that Mackenzie is allegedly walled up sitting at a table with a winning combination of cards, which he holds with his bony fingers. As an avid gambler, he staked and lost his soul in a game of poker with the devil and thought that if he was never buried, then Satan could never get his winnings.
5. Nicolas Cage Mausoleum, New Orleans, USA
Acclaimed actor Nicolas Cage, who has become the subject of numerous jokes and memes, has long been known for his eccentric behavior both in front of the camera lens and off the set. Cage seems to be planning to continue doing this after death as well, judging by the strange pyramid-shaped mausoleum he acquired in the famous cemetery in New Orleans.
The empty grave is an empty 9-foot stone (2.74 m), which is in stark contrast to the surrounding above-ground burials, which have been decaying for more than two centuries. No one's name is engraved on the pyramid yet, but it is decorated with the Latin saying "Omni Ab Uno", which can be translated as "All from one".
4. Enrique Torres Belón Mausoleum, Peru
By the dusty road between Lake Titicaca and former capital Inca Cusco (Peru) is a quiet town Lampa (Lampa). Founded in the 16th century, this Spanish colonial outpost is known for a more modern addition, a strange mausoleum adjoining its historic church.
Next to the Temple of the Apostle Santiago is the whimsical Mausoleum of Enrique Torres Belón, a cave of bones topped with an aluminum replica of Michelangelo's Pieta. The tomb is lined with hanging human skeletons and hundreds of skulls that were exhumed from the graves of the city cemetery and underground tombs located under the church.
At the bottom is a black marble cross, the illumination of which emphasizes the ominous shadows cast by the gloomy wall "decorations".
3. Mausoleums of drug lords, Mexico
From the outside, the Jardines del Humaya Cemetery in Culiacan, Mexico looks fairly ordinary, but the farther you go, the more you get the impression that this place is like a wealthy suburb with luxurious mansions of enormous size. They are, in fact, the world famous mausoleums of some of Mexico's most ruthless drug lords.
They say you can't take anything with you into the afterlife, but that doesn't mean some people don't try, or at least take everything they own to leave at the doorstep of the afterlife. Even when dead, the members of the Sinaloa cartel love nothing more than to flaunt their ostentatious lifestyle in the form of elaborate mausoleums that cost far more than the average family's home.
The Cemetery of Jardines del Humaia is famous for its chapel-like mausoleums, which people come to see not only from all parts of the country, but also people from other countries who come to Mexico just for the sake of it.
And these extravagant mausoleums amaze not only with their impressive facades. According to some reports, many of them are equipped with modern amenities that many Mexicans can only dream of, such as, for example, 24-hour air conditioning, living rooms, bedrooms, fully equipped kitchens, bulletproof glass, alarm systems and Wi-Fi, so that visiting relatives and friends could spend time with pleasure visiting the grave.
2. Beverly Hills of the Dead, Philippines
Death does not put an end to the luxurious lifestyle of some wealthy Chinese residents of Manila. They are buried by their loved ones in a giant cemetery known as the Chinese Cemetery of Manila. This place is its own small area with many mansion-sized graves complete with all modern conveniences!
The huge mausoleums, lined on both sides of the streets throughout the cemetery, are equipped with all the latest, including fully functioning kitchens, bathrooms with luxurious decor and plush bedrooms for visiting relatives. Some mausoleums have even acquired permanent residents who seem to be willing to share their living space with the dead.
1. Humayun’s tomb, India
This tomb, erected in 1570, is of particular cultural significance as it was the first mausoleum garden in the Indian subcontinent. She inspired several significant architectural innovations that culminated in the construction of the Taj Mahal.
The mausoleum stands on a high, wide terraced platform with two deep vaulted cells on all four sides. It has the shape of an irregular octagon with four long sides and beveled edges and is topped by a 42.5-meter double dome, lined with marble and framed by pillar-shaped stalls (tents). The domes of the central tents are decorated with gleaming ceramic tiles, and large arched vaults are deeply recessed in the middle of each side, with several smaller vaults set on the façade.
The Mausoleum Garden of Hamayun is also called the "Mughal bedroom" - more than 150 family members are buried there.
In recent years, more and more researchers of the unknown come up with a rather bold assumption that the mausoleum of Vladimir Lenin is not at all a simple historical monument-tomb, but an occult structure that has been affecting Russians for decades.
A lot has already been said about the fact that the very form of the mausoleum is an exact copy of the ancient ziggurats - special ritual buildings of Ancient Babylon. In ancient times, such buildings in the form of a pyramid with a mummy located at their base helped the priests to communicate with parallel worlds and control the consciousness of their subjects. This occult idol, called a teraphim, was designed to attract wealth and power, as well as to accumulate the magical energy of living people worshiping him. Simply put, with the help of such a construction, knowledgeable people were able to accumulate psychic energy, and then direct it in the right direction, using the ziggurat as a satellite dish. Interestingly, the Egyptians were believers, and Lenin's mummy was created by militant atheists. But back to the ancient teraphim.
Each teraphim had an owner. With it, he could command the thoughts of his subjects. The technology looked simple. Ancient occult mummies were placed under the tongue with a golden plate with magical symbols inscribed on it. In order for the teraph to influence ordinary people, tablets with the same symbols were hung around the neck of citizens. So, for example, did the king of Babylon.
Through these tablets, the will of the owner of the teraphim flowed into the person who was in contact with him. It is known from history that most often such magic signs were circles, stars and triangles, similar to those that recently hung on the chest of every Soviet person in the form of October and pioneer badges, orders and medals ...
Coincidence or not, but the initials of Vladimir Ilyich Lenin - VIL - is the name of one of the Babylonian Gods. 
Modern scientists have paid attention to the strange position of the hands of the mummified leader of the revolution, resting on Red Square. So, his right hand is clenched into a fist, and the left is relaxed, as if open. Historians have wondered: is this an accident or does it carry some kind of secret meaning? It is known that the last years of his life, Lenin was partially paralyzed, his right side of the body did not move. Perhaps this was the reason that his right fist remained clenched. However, there is another version: the position of the hands of Vladimir Ilyich, if you put them together, is nothing more than an ancient gesture of power - the “Shield of Shambhala” mudra. It was used many centuries ago to control subtle energies. This gesture gave a person health and strength, and also protected from the negative impact of other people's thoughts. The fist seems to close the energy passing through the hands and directs it to the head.
Mudra "Shield of Shambhala"
Moreover, independent researchers of the mysteries of the mausoleum saw a special meaning in the fact that there are seven steps in it - and this is a magic number symbolizing the secret of the structure of the world and the power of life. In addition, the main temple of Babylon was also seven-stepped. The priests claimed that people after death, having passed through the seven gates, fall into the underworld, surrounded by seven walls.
But be that as it may, the main mystery of the mausoleum is why it was built and why it is carefully guarded until now. How did the members of the Politburo in the shortest possible time be able to find architects and develop this particular building project, as well as find the people who invented the recipe for the balm for the body of the leader. After all, there are exact copies of the mausoleum in many countries of the world, from Mexico to China. The recipe for embalming in just three days was invented by a certain professor Zbarsky, and the professor who helped him during the procedure