The theme of love, perhaps, has already become traditional for Russian literature. It is this theme that is the very casket of constant inspiration and ideas, pushing famous authors to create new works of art. Absolutely all poets saw something personal in this great and grandiose.
Love for Mayakovsky, a phenomenon that absorbs a lot of concepts, is certainly not just a separate part or genre in poetry for him, but the very meaning and essence of poetry, which contains something personal and sacred, which goes into different works of the author.
Mayakovsky's love lyrics
Life with all its joys and sorrows, hopes and despairs is in his poems. The works of the poet, telling about his life, cannot but touch on the theme of love.
The poet believed that one can only write about what he himself experienced, therefore all his works are largely autobiographical. Although the earliest poems about love (“I”, “Love”, the tragedy “Vladimir Mayakovsky”) have little to do with the personal experiences of the poet. Later, Mayakovsky's famous poem "" appears, in which the poet talks about his unrequited love, which caused him excruciating, unbearable pain.
Mother!
Your son is very sick!
Mother!
He has a heart of fire.
This tragic love is not fictional. David Burliuk, who together with Mayakovsky performed in Odessa in 1914, says in his memoirs that Mayakovsky's first love was Maria, whom he met in Odessa ("It was, it was in Odessa ..")
From some sources it is known that an obstacle arose between Mayakovsky and Maria, one of those that were generated by the then social life, social conditions based on the inequality of people, on the dominance of material calculations. The poem gives a very brief explanation of this in the words of Mary herself:
You entered
sharp, like “here!”,
mucha suede gloves,
said:
“You know -
I'm getting married".
The main and brightest muse of Vladimir Mayakovsky is Lily Brik, whom Mayakovsky fell in love with a year later. The relationship between the poet and Lily was very difficult, many stages of their development were reflected in the works of the poet (“Lilichka! Instead of a letter”, “Flute-spine”).
In 1922, the poet wrote the poem "I Love" - his brightest work about love. Mayakovsky was then experiencing the peak of his feelings for L. Brik, and therefore he was sure:
Don't wash away love
no quarrel
not a mile.
Thought out
verified,
verified.
Here the poet reflects on the essence of love and its place in human life. Mayakovsky contrasted venal love with true, passionate, faithful love.
But then again in the poem "About this" lyrical hero appears suffering, tormented by love. This was a turning point in their relationship with Brick.
That is, one can notice how closely the feelings of the poet and the feelings of the lyrical hero are intertwined in Mayakovsky's work.
At the beginning of 1929, a “Letter to Comrade Kostrov from Paris on the Essence of Love” appeared in the Young Guard magazine. It can be seen from this poem that a new love appeared in Mayakovsky’s life, that “the exhausted motor of the heart was again put into work.” It was Tatyana Yakovleva, whom the poet met in Paris in 1928. The poems dedicated to her "Letter to Comrade Kostrov ..." and "Letter to Tatyana Yakovleva" are imbued with a happy feeling of great, true love. But this relationship also ended tragically.
Veronika Polonskaya became his last love. Shortly before his death, Mayakovsky wrote the poem "Unfinished", which, apparently, was dedicated to her. Polonskaya was the last person to see Mayakovsky alive.
It is his sincere and beautiful poems about love that help to understand Mayakovsky the man.
Analysis of the poem "Love" Vladimir Mayakovsky
The girl fearfully wrapped herself in the swamp,
spread ominously frog motifs,
in the rails, a reddish someone hesitated,
and reproachfully locomotives passed in the buckles.
In cloudy pairs through the sun's fumes
the fury of the windy o_th mazurka crashed,
and here I am - the hot July sidewalk,
and a woman throws kisses - cigarette butts!
Leave the cities, stupid people!
and go naked pouring in the sunshine
drunken wines in the fur-chest,
rain-kisses on the coals-cheeks.
In 1913, a collection of "the only futurists in the world", called "Dead Moon", saw the light of day. Among others, David Burliuk, Velimir Khlebnikov, Alexander Kruchenykh took part in its creation. Several poems by Mayakovsky were also published in the almanac, including “Love” (“The girl fearfully wrapped herself in a swamp ...”), which subsequently underwent several editions.
The work is distinguished by the deliberate complexity of images. In it, the poet contrasts urban life with country life, obviously giving preference to the latter. Being close to nature is a dangerous thing to some extent. No wonder the girl wraps herself in the swamp fearfully, and the expanding frog motifs are called sinister. Most likely, these vivid images are the result of Vladimir Vladimirovich's walks in the Kuntsevsky park near Moscow.
They are also inspired by locomotives, stubbornly passing in bobbles, a reddish someone, oscillating in the rails. The second stanza of the poem takes readers from the reality of the countryside to the reality of urbanism. In the new location, things are so bad with love that the woman kisses as if she were throwing cigarette butts on the sidewalk. Add to this the sunburn and the fury of the windy mazurka - you must admit, the picture of the city languishing under the summer heat is not very attractive.
The third quatrain begins with an emotional appeal: "Give up the cities, stupid people!". The lyrical hero is sure that happiness in love must be sought elsewhere - outside the city, where a person becomes closer to nature, respectively, to his sources, where it is not so noisy and the air is cleaner. Romantic relationships there are of a completely different nature. Kisses become akin not to dirty cigarette butts, but to saving rain, which cools burning cheeks and quenches the thirst of the heart.
“Love” (“The girl fearfully wrapped herself in a swamp ...”) is considered the first appeal to intimate lyrics. In this poem there is still no bright heroine, the prototype of which will later become main love in the life of the poet - Lily Yuryevna Brik. Vladimir Vladimirovich will get to know her a little later - two years after the creation of the text in question. Moreover, in “Love” nothing really is said about the feelings of the hero as such. In fact, it turns out that the love theme becomes for Mayakovsky only an excuse to contrast the existence of a person in the city with country life.
"Listen" V. Mayakovsky analysis of the poem
Listen!
After all, if the stars are lit -
So - someone wants them to be?
So - someone calls these spittles
pearl?
And, tearing up
in blizzards of midday dust,
rushes to god
afraid of being late
kisses his sinewy hand,
to have a star! -
swears -
will not endure this starless torment!
walks anxious,
but calm on the outside.
Says to someone:
“After all, now you have nothing?
Not scary?
Listen!
After all, if the stars
ignite -
Does that mean anyone needs it?
So, it is necessary
so that every evening
over the rooftops
lit up at least one star ?!
Creativity V.V. Mayakovsky falls on the period Silver Age poetry. In Mayakovsky's poems, from the first lines, a challenge to society is felt. But the poem "" refers to the poet's love lyrics. After reading the work of the author, it does not immediately become clear what he wanted to say. However, it has a hidden deep meaning.
"Listen" was written in 1914. This period is listed in history as the beginning of the First World War and the coup in Russian Empire. Mayakovsky was a supporter of the Revolution in the country, he considered it a discovery for new opportunities for the younger generation.
Before the start of the coup, Mayakovsky was a member of the Futurist community, who called for a move away from former preferences in literature and creativity. They considered it necessary not to read more such authors as Pushkin, Lermontov,. "Budetlyane" (futurists) emphasized that society needs more expressive and outrageous young people who know what is necessary for a happy future.
The work "Listen" is not like other masterpieces of the poet, it looks like a question and a prayer addressed to society. In it, the author tries to find the meaning of life - this is main topic poems. It seems to appeal to an invisible listener. The poet argues that "someone" lights the stars in the sky, and he controls our destiny, because he needs it.
"Listen" is a vivid work from the early Mayakovsky, the author wrote it at the age of 20. In the verse, one feels the poet's uncertainty in life, his non-recognition and misunderstanding by society.
It is not for nothing that the symbol of the “star” is used here; for the author, the guiding star was a life credo, a muse for creativity. Mayakovsky means by the lit stars in the sky the new luminaries of poetry, including himself. And someone decides whether another star in the sky will light up, that is, whether society and leadership positions will accept the work of a newly minted author. Here the poet touches on the theme of God, whom he asks for another star to light up in the sky, otherwise he will not endure this “starless torment”. Here the importance of recognition of the poet by society is very clearly expressed, which bears for him the main meaning of existence.
The poem reveals the theme of loneliness, which overwhelmed the poet's soul, tormented him from the inside. He says that for someone the stars are just "spitting". But for him, a hidden hero who does not have a clear definition in the plot, they are the whole world. The author calls them pearls. In this work, the feelings of lyricism and the tragedy of being Mayakovsky V.V. are intertwined.
The poem is written in a white style and with a bright rhythm, which is inherent in Mayakovsky's work. It is created with the use of vivid epithets and metaphors, the most notable is the comparison of stars with "spitting" and pearls in one stanza.
The verse begins with an exclamation that occupies the reader's ear, after which several philosophical questions follow. The reader is more of a listener here. Then the plot itself unfolds, in which someone asks for the appearance new star in heaven with God himself. The author uses the repetition of the initial lines at the end of the poem, but in the finale these words sound more confident and life-affirming. This technique is called ring composition.
Each reader can interpret the poem in their own way. It will still contain the pain and cry of the poet's soul. With this work, the author tried to reach out to the hearts of the listeners, to achieve universal recognition and understanding of his avant-garde and modernist work.
Mayakovsky's love lyrics in 9th - 11th grade
Once Vladimir Mayakovsky said about himself: “I am a poet. That's what's interesting." In my opinion, he remains an original and innovative artist to this day. Mayakovsky entered Russian poetry as a singer of the revolution, as a herald of new social relations. Most of his poems are patriotic in nature. The lyrical hero of Mayakovsky is a citizen who strives for a better future. They do not accept indifference and inaction.
As for love, the poet has a special attitude to this feeling. Mayakovsky believes that love is always suffering. So, in the poem “To Everything,” the poet talks about a past feeling, about emotional experiences lyrical hero who sincerely believed his beloved:
Love!
Only in my
inflamed
brain was you!
Silly comedy stop the move!
See -
plucking armor toys
the greatest Don Quixote!
The lyrical hero, in my opinion, is romantic in his feelings. But disappointment and inner suffering make him cruel and cynical. The pain of the soul is so strong that Mayakovsky ceases to believe in earthly love:
Give
any
beautiful
young -
I won't waste my soul
rape
and in my heart I will spit mockery at her!
Human love, according to the poet, is impossible in the material and superficial world. In his poems, Mayakovsky draws a high ideal of love-creation, which enriches a person, makes him better and purer. According to the author, a person cannot be happy for himself alone, even in such an exceptional feeling.
In the further work of Mayakovsky - in his poem "Letter on the Essence of Love" - the idea of the creative power of love-competition with the world was cast in the famous stanza:
Be in love-
it's from the sheets
insomnia torn,
break loose
jealous of Copernicus,
his,
and not the husband of Marya Ivanna,
counting
by his rival.
A special place in the work of Mayakovsky is occupied by the poem “Lilichka! Instead of a letter. Here the author shows unrequited love, which is the happiness and tragedy of the lyrical hero. This work becomes a kind of revelation of the character. It seems to me that this poem is very bright and sincere. It is written in the form of a monologue:
Doesn't matter
My love -
heavy weight after all -
hanging on you
wherever you run.
Let me roar in the last cry
The bitterness of offended complaints.
This feeling is so strong that the lyrical hero does not see the meaning of life and the beauty of the surrounding world without a loved one:
Except your love
no sun,
And I don't know where you are and with whom.
In his feeling, the lyrical hero is an ordinary person, and no longer a poet. Before love, all people are equal: strong and defenseless at the same time. Even creativity is not able to save the hero from mental anguish. Only the realization that the beloved is happy, although not next to him, makes the life of the lyrical hero meaningful, meaningful.
It seems to me that Mayakovsky's love poetry cannot be compared with love lyrics other poets, because he has his own, special, feeling of this problem. Love, according to Mayakovsky, is possible only in the ideal world, and in modern disharmony, where only the desire for the material reigns, it does not exist. But human soul as a manifestation of the ideal world, yet reaches for this feeling.
Analysis of the poem "Letter to Tatyana Yakovleva" by V. Mayakovsky
You are the only one for me
straight growth,
get close
with an eyebrow,
important evening
tell
more human.
Five hours,
and from now on
dense forest,
populated city,
I hear only
whistle dispute
trains to Barcelona.
In the black sky
lightning step,
in heavenly drama, -
not a thunderstorm
jealousy
moves mountains.
stupid words
don't trust raw materials
do not be afraid
this shaking,
I bridle
offspring of the nobility.
passion measles
come down with a scab,
but joy
inexhaustible
I'll be long
I'll just
I speak in verse.
Jealousy,
swollen eyelids,
fit Viu.
behind Soviet Russia.
on the shoulders of the patch,
licks with a sigh.
we are not to blame
hundred million
was bad.
so tender -
straighten not many, -
needed in Moscow
lacks
leggy.
with these legs
give them away
with the oilmen.
Don't you think
just squinting
from under straightened arcs.
Come here,
go to the crossroads
my big
and clumsy hands.
Do not want?
Stay and winter
insult
we will lower it to the general account.
I don't care
someday I'll take
or together with Paris.
The lyrics of Vladimir Mayakovsky are very peculiar and are distinguished by their special originality. The fact is that the poet sincerely supported the ideas of socialism and believed that personal happiness cannot be complete and comprehensive without public happiness.
These two concepts are so closely intertwined in the life of Mayakovsky that for the sake of love for a woman he would never betray his homeland, but on the contrary he could do it very easily, since he could not imagine his life outside of Russia. Of course, the poet often criticized the shortcomings of Soviet society with its inherent harshness and straightforwardness, but at the same time he believed that he lived in the very best country.
In 1928, Mayakovsky traveled abroad and met in Paris with a Russian emigrant Tatyana Yakovleva, who in 1925 came to visit relatives and decided to stay in France forever. The poet fell in love with a beautiful aristocrat and invited her to return to Russia as a legal wife, but was refused. Yakovleva was reserved about Mayakovsky's courtship, although she hinted that she was ready to marry the poet if he refused to return to his homeland.
Suffering from an unrequited feeling and from the realization that one of the few women who understands and feels him so well is not going to part with Paris for him, Mayakovsky returned home, after which he sent a poetic message to his chosen one - sharp, full of sarcasm and, at the same time, same time, hope.
This work begins with phrases that love fever cannot overshadow feelings of patriotism, since “the red color of my republics should also burn”, developing this theme, Mayakovsky emphasizes that he does not like “Parisian love”, or rather, Parisian women, who behind the outfits and cosmetics skillfully disguise their true nature.
At the same time, the poet, referring to Tatyana Yakovleva, emphasizes: “You are the only one with my height, stand next to the eyebrow”, considering that a native Muscovite who has lived in France for several years compares favorably with cutesy and frivolous Parisians.
Trying to persuade the chosen one to return to Russia, Mayakovsky, without embellishment, tells her about the socialist way of life, which Tatyana Yakovleva is so stubbornly trying to erase from her memory. After all new Russia- this is hunger, disease, death and poverty, veiled under equality.
Leaving Yakovlev in Paris, the poet experiences an acute feeling of jealousy, as he understands that this long-legged beauty has enough fans even without him, she can afford to go to Barcelona for Chaliapin's concerts in the company of the same Russian aristocrats. However, trying to formulate his feelings, the poet admits that "I am not myself, but I am jealous for Soviet Russia." Thus, Mayakovsky is much more gnawing at the fact that the best of the best leave their homeland than ordinary male jealousy, which he is ready to bridle and humble.
The poet understands that apart from love, he can offer nothing to the girl who struck him with her beauty, intelligence and sensitivity. And he knows in advance that he will be refused when he turns to Yakovleva with the words: "Come here, to the crossroads of my big and clumsy hands." Therefore, the finale of this love-patriotic message is filled with caustic irony and sarcasm.
The poet's tender feelings are transformed into anger when he addresses the chosen one with a rather rude phrase "Stay and winter, and we will lower this insult to the common account." By this, the poet wants to emphasize that he considers Yakovlev a traitor not only in relation to himself, but also to his homeland. However, this fact does not in the least cool the romantic ardor of the poet, who promises: "I will take you all the time someday - alone or together with Paris."
It should be noted that Mayakovsky never managed to see Tatyana Yakovleva again. A year and a half after writing this letter in verse, he committed suicide.
Mayakovsky, analysis of the poem "Out loud"
Loves? does not love? I break my hands
scatter breaking
so tear guessing and let
corollas of opposite daisies
let the haircut and shave reveal the gray hair
Let the silver years call
I hope I never come
shameful prudence towards me
Already the second
you must have gone to bed
Maybe
and you have this
I'm in no hurry
And lightning telegrams
I don't need
wake up and disturb
the sea is receding
the sea goes to sleep
As they say, the incident is over
We are with you
And there is no need for a list
mutual pain troubles and insults
You must have gone to bed for the second time
In the night the Milky Way with a silver Eye
I'm not in a hurry and lightning telegrams
I don't need to wake you up and disturb you
as they say the incident is over
love boat broke about life
With you, we are in the calculation and there is nothing to list
mutual pain troubles and insults
Look how quiet the world is
The night overlaid the sky with a starry tribute
at times like these you get up and say
centuries of history and the universe
I know the power of words, I know the words alarm
They are not the ones who applaud the lodge
From such words the coffin breaks
walk with four of your oak legs
It happens thrown without printing without publishing
But the word rushes by tightening the girths
century rings and trains crawl
lick poetry calloused hands
I know the power of words
Fallen petal under the heels of the dance
But a man's soul with his lips is a bone
Strictly speaking, Mayakovsky's poem "Out loud" is not one: the poet wrote only an introduction, but both critics and literary critics consider him a full-fledged work. Brief analysis“Out loud” according to the plan will help 11th grade students understand why literary critics think so, as well as a deeper appreciation of the artistic perfection of the work. In a literature lesson, this analysis can be used both as a main and as an additional material.
The work was written shortly before the suicide of its author. This was the period when Mayakovsky was preparing for a special exhibition dedicated to the twentieth anniversary of his work. But this joyful, it would seem, time, in fact, turned out to be gloomy for him - there was a lot of criticism, many colleagues and critics made harsh statements against him.
Apparently, this gave rise to a desire in Vladimir Vladimirovich to talk directly with his reader. He conceived a grandiose work - the poem "Out loud", but wrote only its introduction. He could not or did not want to work on the work further: the verse with the subtitle “The First Introduction to the Poem” was completed in January 1930, and already in April a tragic suicide occurred.
The work is called a poem only by tradition, but this is quite significant.
At the end of his life path(although it is not known whether the poet was planning his suicide even then) Mayakovsky once again turned to the topic of creativity that was important for him - more precisely, its purpose and its place in the creative process. He chooses a difficult path - to tell only the truth about himself and the time in which he lives. And he speaks harshly and without undue politeness.
In his work, Vladimir Vladimirovich acts both as an author and as a lyrical hero. He promotes the rejection of art as an aesthetic approach, talks about the social component of poetry and even calls himself a “water-carrier”, that is, on the one hand, he gives people what they need, on the other, he often deals with the most unattractive side of reality .
The main idea of the poem is to accurately express Mayakovsky's creative credo: poetry is work, it should motivate people, there is no place for prettiness, it is part of life, everyday life.
The poet says that there is poetry that is closed in its philistinism like flowers in a manor's garden. It is created just for the sake of beautiful words and has neither a social burden nor the right to tell people how to live and what to do. But his poetry is not like that, it is a weapon. And the poet is her servant-commander, bringing words to the solemn military parade.
At the same time, he does not seek rewards and recognition, his army may even die completely. The main thing is victory, namely, a harmonious, healthy and just society.
Although “Out loud” refers to such a genre as a poem somewhat conditionally, the work nevertheless turned out to be quite epic. In this case, the main thing is the scale of thought, which, although embodied in a small poem compared to the poem, does not lose its strength and grandiosity from this.
Using the tonic system of versification, Mayakovsky, as usual, focuses on rhythm and word stress. He highlights those words that, in his opinion, the best way express a thought and allow expressing the rebellious moods and vivid emotions that overwhelm the poet.
In addition to the neologisms characteristic of his poetic word, Vladimir Vladimirovich also uses the usual artistic tropes, making them bright and harsh. So, in the work are used:
Epithets - "an old but formidable weapon", "verses are lead-heavy", "yawning titles".
- “a swarm of questions”, “tuberculosis is spitting”, “the throat of one's own song”, “linear front”.
Comparisons - "poetry is a capricious woman", "we discovered Marx every time we open the shutters in our own house."
Thanks to them, the poem seems to be carved in eternal granite, preserving the memory of Mayakovsky the poet.
For many readers, Vladimir Mayakovsky is, first of all, a revolutionary poet and a prominent representative of futurism. Defiant remarks, fragmented sentences, exclamation marks - such an association arises when the poet's surname is mentioned. The theme of love also did not do without these techniques. In Mayakovsky's love lyrics, the original form of poems is observed, and the lyrical hero has a rather unusual character.
- "Lily!" Mayakovsky's muse was Lilya Brik, a married lady with whom he had an affair. The author dedicated poems and poems to her, one of which bears her name: "". Admiring her beauty, the lyrical hero is jealous. In rather rude language for a love letter, he addresses his beloved with the fear that their love will end. He reassures the girl, saying that he will not commit suicide: after all, by such a step he will lose the opportunity to see her.
- "Letter to Tatyana Yakovleva". In a poem addressed to an emigrant living in France, Mayakovsky writes about love, but uses political overtones. The divergence of political views did not allow people to get closer: Yakovleva refused to return to Soviet Russia. The lyrical hero takes her answer as an insult and announces that soon not only she will belong to him, but also Paris. Mayakovsky has in mind the desired victory of communism over the bourgeois countries. Read more about this novel at
- Letter to Comrade Kostrov from Paris on the Essence of Love. A letter to a friend gradually develops into a conversation with a Frenchwoman. The hero at first praises himself, but then he begins to talk about his understanding of love. He can't describe her in simple words, believes that this feeling requires a lot of strength from a person and often leads to suffering. Passion for him is not connected with the wedding - it is known that Mayakovsky never married during his lifetime, although he had children. The lyrical hero compares love with chopping wood and jealousy for Copernicus; she is stronger than a hurricane, fire and water, and no one can cope with her.
- "Attitude towards the young lady." The lyrical hero of Mayakovsky in this short poem shows restraint and nobility towards a certain lady with whom he is about to have love relationship. He warns her and asks her to move away from the steep cliff of passion. The young man realizes the possible consequences of a rash act and decides to protect the girl from them, even comparing himself with a kind father.
- "The author dedicates these lines to himself, beloved." Hyperbole and oxymorons create a sense of great anguish of the poet. The hero regrets that he is not as dim as the sun; not tongue-tied, like Dante and Petrarch; not as quiet as thunder. He compares himself to an unnecessary giant who cannot be loved. He wants to find a loved one who looks like him, but he fails. Loneliness is the main motive of the work, and the theme of creativity is closely intertwined with the theme of love.
- "Loves? does not love? I'm breaking my hands..." Vladimir Mayakovsky planned to write a poem about the five-year plan, but the sketches remained in the poet's notebook, and now they are combined into the collection Unfinished. "Loves? does not love? I break my hands…” is one of those sketches dedicated to Lila Brik. The poem is devoid of punctuation, except for two question marks in the first line. The lyrical hero is not young, but still succumbs to madness, with which he is not going to fight: he guesses on a camomile. He does not want to wake the girl with telegrams, and at the same time he himself cannot fall asleep thinking about her.
- "Love". This poem presents a gallery of people who do not know how to love. The characters ridiculed by Mayakovsky cheat on their spouses, quarrel with each other over trifles, get jealous or become henpecked. The poet's contemporaries marry several times in their lives, to which the author says that soon it will not be clear who is related to whom. The poet stands not for the family, but for the cleanliness of relations and for the fact that men and women are comrades among themselves.
- "Gaylike". The title of the poem contains the name of the German poet of the era of romanticism, Heinrich Heine. Mayakovsky describes how a girl leaves a lyrical hero because she saw him with another. The young man is ironic, answering after her that the lightning from her eyes did not kill him, which means that he is not afraid of thunder either. The short piece is based on real events: Lilya Brik found out about Mayakovsky's love affair with Lilia Lavinskaya. Brik herself met at that time with the critic Viktor Shklovsky, which served as the motive for writing the last lines.
- "I love! Worried Birds…”. The cry of the soul in blank verse - this is how this poem can be called. The lyrical hero says that it is stupid to keep silent about love, and asks to call the firemen, the police, because he is overwhelmed with feelings. He shouts about his condition with such force that the birds fly into the air, and a thousandfold echo answers the young man in love. The work differs in form not only in the absence of rhyme, but also in punctuation. For example, in the last line, the exclamation "I love you" ends with four exclamation marks.
- "If I wrote something." The poet seems to sum up his work, declaring that the fault of the appearance of all his works is the brown eyes - the heaven of his beloved. What follows is a story about how a girl's eyes get sick, and, according to a doctor's prescription, a young man gives her a carrot, calling it the best gift he has ever given. Everything ends with recovery, after which the hero can again admire the girl, and she can look at the world, which, according to the tradition of the rebel poet, is identified with the revolution. Interesting? Save it on your wall!
V. Mayakovsky "About it". Cover by Alexander Rodchenko. Moscow, 1923.
In 1922, the poet wrote the poem "I Love" - his brightest work about love. Mayakovsky was then experiencing the peak of his feelings for L. Brik, and therefore he was sure:
Don't wash away love
no quarrel
not a mile.
Thought out
verified,
verified.
Tatyana Yakovleva, 1932, Paris.
Here the poet reflects on the essence of love and its place in human life. Mayakovsky contrasted venal love with true, passionate, faithful love.
But then again in the poem "About this" the lyrical hero appears suffering, tormented by love. This was a turning point in their relationship with Brick.
That is, one can notice how closely the feelings of the poet and the feelings of the lyrical hero are intertwined in Mayakovsky's work.
At the beginning of 1929, a “Letter to Comrade Kostrov from Paris on the Essence of Love” appeared in the Young Guard magazine. It can be seen from this poem that a new love appeared in Mayakovsky’s life, that “the exhausted motor of the heart was again put into work.” It was Tatyana Yakovleva, whom the poet met in Paris in 1928. Poems dedicated to her "Letter to Comrade Kostrov ..." and